Plouf

Image post-production studio for the audiovisual and film industries with an image editing and color grading room. Equipment: Avid Media Composer 2022 - DaVinci Resolve 18 - Adobe Premier Pro. Editing and color grading services, DCP Output, ...

References: Documentaries "Maïco, Marie Claude Vaillant Couturier, la révoltée" (Little Big Story pour FTV), "Zinet, Alger, le Bonheur" (Vivement Lundi ! / SB Films), "Où va le blanc quand la neige tombe" (A Perte de vue), "Le prélude d’Adrian" ( Kalanna Production), "Waiting for Gaza" (48° Rugissants & Ana films), "1996, Hold-up à Moscou" (Point du jour, Les films du Balibari), "Trois semaines et un jour" (Kalanna Production), "Kounachir" (Les Films du temps scellé), ....

Sound post-production studio for broadcast and cinema programs. The team can handle the sound editing and/or multichannel and stereo mixing of any project, and can also carry out sound restoration work, podcasts, voice recording, VR soundtracks, museography, surround sound recording. Equipment: Ultimate 2024 Pro Tools HD station, Dynaudio multichannel monitoring, Plugins Izotope Fab Filters, Flux, Waves, Audio Ease, Auto Align, Accentize,... Neumann, Schoeps, Soundfield Microphones, Sonosax pre-amplification.

References: SF "Malo fait du vélo" (To Be continued), "A Marée haute" (Les 48° Rugissants), "Tigre" (Unité de Production), Documentaries "Le Voyage de documentation de Madame Anita Conti" (Hutong productions), "Frieda TV" (.Mille et une. Films), "Qu'est-ce qu'on va penser de nous" (.Mille et une. Films), "Rio Rojo" (Stank), "L'Avenir" (.Mille et une. Films), "Marvailhoù mor breizh" (Kalanna Productions), "Je Vois Rouge" (Stank), ...

The Plouf studio can handle the dailies processing.

References: TV Serie "Le Remplaçant" (Back Dynamite Production pour TF1)